Quote taken from Hjorth, L. 2007 ed., Waiting for Immediacy Catalogue, Yonsei University: Seoul.
“It is as if the storing, just like the whimsical nature of digital media that can so easily be deleted, is not necessarily for the actual return and reviewing. It is not about leaving a trace in the world like analogue photography, but instead it is about the process of affect that marks the moment by a series of gestures. Click, view and store – that is the experience of everyday life to a theatre of spectres that haunt the hangover of visuality. In the 21st century, the visual is overruled by haptic as an experience and sense of place. This is the dance of waiting … for immediacy.”
Immediacy is about capturing and celebrating the moment. It is ritualistic. It is not meant to be stored as historical artefact or proof of life – or perhaps in some ways as proof of identity on social media. It is about focussing all phenomenological possibilities into one distilled click and capture. A phenomenological focus. A focus on things-as-idealised there and then. These moments therefore must necessarily be connected to our desires and forward projections of how we see ourselves in the world. They are world-affirming.
In my recent mobile video practice I have for various vague reasons decided to work on things out-of-focus. Perhaps I could pitch my video practice as anti-immediate?