My main question/problem (regarding memory, the intersection of filmmaker and subject and the subject wantingto express memory) seems to addressing realism. Though I believe realism is probably the wrong word. Perhaps I am investigating the creation of a depiction of memory through acknowledging the presence of memory theory in the filmmaking process. At this stage this is still very vague, but I hope through reading and discussion with Adrian Danks I will be able to find a hook, or an anchor which will focus these more instinctual ideas.
Another question I need to discuss with Adrian is whether or not to include textual analysis in my exegesis. This could get me into hot water as I will need to spend time explaining why I chose specific films, and this could in fact limit the directions that arise as I produce. However, I am looking for these definite anchor points for discussion and so need to explore the possibility.
Movies to consider:
This film is highly personal and subjective to the filmmaker. The story is of his own journey and autobiographical rather than biographical. Nevertheless, filmmaking techniques may be viable for me to take notice.
This film is a straight forward biography of Jack Charles, an interesting and prolific Aboriginal Australian, resident of Melbourne. The story follows Jack for a number of years and so portrays quite an in depth and significant portion of Jack’s life. I thought this film would be a little more directly relevant to my own project in terms of style and technique.